
An Angel's Odyssey
by Brent Wills Bechtel, with Paul Rowlands.
WINGS OF DESIRE is one of the most celebrated films of recent times, but the universality of its themes, shown by the success of its remake (CITY OF ANGELS, 1997), demand that it be seen by those who would normally give foreign-language art films a wide berth. The film's director, Wim Wenders, was inspired to create the film after returning to his native homeland of Germany following a period spent partly in the US, working with Hollywood actors and filmmakers.
Wenders was fascinated by the pop culture and wide open spaces that the country offered, but grew frustrated by the red tape and the inability to achieve his visions in natural settings rather than on a sound stage or in a studio. His Hollywood debut as a director, the Francis Ford Coppola-financed HAMMETT (1982), turned out to be a disaster. Coppola had invited Wenders to Hollywood in 1978, but halted production on the film because he was unhappy with the changes Wenders had made to the script. Whilst Coppola shot the film that eventually bankrupted him, ONE FROM THE HEART (1982), Wenders set about editing the footage he had and even made a new film, THE STATE OF THINGS (1982). In the latter film, a director’s unexpected halt in filming due to a producer's troubles parallels Wenders' own experience with Coppola during the shooting of the film and reflects the filmmaker's disdain for big-budget Hollywood filmmaking and its limitations and political bickering. Ever resourceful, Wenders used a film crew he discovered in Portugal to make the movie. They were shooting Raul Ruiz's THE TERRITORY (1981), and were running out of money. After seeing the finished cut of HAMMETT, the studio was unimpressed (Wenders claimed they found it 'too lyrical', 'too slow' with not 'enough action'). Reshoots were demanded that eventually blew up into a complete reshoot of the original picture. It is rumoured that from 70% to 90% of the released version is footage directed by Coppola and not Wenders.

The story is primarily viewed from the perspective of one angel in particular, Damiel, played by Bruno Ganz in a paradoxically very 'human' performance. Ganz, who had previously collaborated with Wenders on THE AMERICAN FRIEND, captures the naive innocence of an otherworldly being observing and falling in love with a human trapeze artist (the beautiful Solveig Dommartin). The angels' black and white perspective gives a clear understanding that they view the world as divided into two parts; the good and bad, and lacking the nuances of a mortal soul perspective.

In Damiel’s wanderings he comes across Peter Falk (as himself) having a cup of coffee and a cigarette. (It says volumes about the unique tone of the film that despite its earnestness, Falk's appearance isn't jarring.) Falk seems to see be able to sense the presence of Damiel (as can most of the children in the film) and talks to him about what it is like to feel the sensations of smoking and the simple act of holding a warm cup of coffee in your hands when it’s cold. This seems to give Damiel the incentive he needs, and he makes his choice to become mortal. Giving up his angelic wings to pursue his love, Damiel literally falls to Earth, arriving with a suit of tarnished armor that strikes him, causing him to experience pain and bleeding for the first time. His childlike enjoyment of the sensation leads him to feel his wound and taste his own blood. He stands, and experiences the cold weather of Berlin in winter. Wrapping his arms around himself and smiling, he walks along the graffiti covered Wall (still standing when Wenders made this film) seeing the expressions, vulgar and poetic, that represent humanity. These aspects may seem irrelevant overall, vignettes in a complicated and busy world, but they serve brilliantly to lead the viewer into reminders about the everyday joys of life we tend to take for granted. Little things in life are significant indeed. All have a part to play in everyday living. This film is filled with such moments, all of which remain in the mind for a long time.
Shot in beautiful black and white sepia that jumps to colour to represent the POV of the human characters (very A MATTER OF LIFE AND DEATH, 1946) by Henri Alekan, the famed cinematographer used the same hand-made filter from his grandmother’s stocking as he did for Jean Cocteau's BEAUTY AND THE BEAST (1946). This one of a kind filter, combined with exquisite camera movements, gives the viewer a unique look at the world as seen by the angels who drift amongst humans, guiding and comforting us. The use of black and white depicts the angel’s inability to see gradations of the colored world of mortals. The colored world lures some angels to cast themselves out of the Heavenly Host and experience the sensations of living, despite the pain and desperation (which are equally desired by the angels along with the joy and pleasure) experienced by mortals.
The soundtrack to the film adds immensely to the experience as well. It combines an original score by Jurgen Kneiper, with angelic voices and enigmatic, ethereal soundscapes, with eclectic modern pop music by such artists as Nick Cave and the Bad Seeds (performing two of their songs 'The Carny' and 'From Her to Eternity' live in a club), Laurie Anderson, and Crime and the City Solution (also performing a song 'Six Bells Chime' live in the club).The club scenes again reflect the duality, sensuality and feeling of being human and alive.
Much of the film was improvised, and Wenders focussed on the mood above all. It ended up being a more serious film than originally intended. Deleted from the final cut were Cassiel enjoying mimicking human actions, and a pie fight in a bar involving Damiel and Marion that was originally supposed to end the film. Cassiel was also meant to turn human too, but this was left to be explored in the sequel. There was also meant to be a third angel who was female (she can briefly be seen in the library scene).

'When the child was a child,
It was the time for these questions:
Why am I me, and not you?
Why am I hee, and not there?
When did time begin, and where does space end?
Is life under the sun not just a dream?
Is what I see and hear and smell
Not just an illusion of a world before the world?
Given the facts of evil and people,
Does evil really exist?
How can it be that I, who I am,
Didn't exist before I came to be?
And that, someday, I, who I am,
Will no longer be who I am?
This film is Wenders' stick lance against a tree, and the film continues to quiver in the mind long after the film has ended. It asks the hard questions in an innocent, rhetorical way that ultimately has no answers, as Damiel discovers upon giving up his angelic being to roam, childlike, in the realm of mortals.
The film received accolades from critics, as well as a Best Director Award at the 1987 Cannes Film Festival. Wenders dedicated the film “to all the former angels, but especially to Yasujiro, François and Andrei." This is a reference to fellow filmmakers Yasujiro Ozu (the subject of his documentary TOKYO-GA, 1985), Francois Truffaut (THE 400 BLOWS, 1959) and Andrei Tarkovsky (SOLARIS, 1972).

Wenders himself states:
''WINGS OF DESIRE had been essentially a fairy tale. Or maybe a fable…the angels had been some sort of metaphor for a better person we’re all carrying inside ourselves. And FARAWAY, SO CLOSE! deals much more with the contemporary reality of that city - a certain hostility toward everybody who doesn’t belong, a certain kind of disorientation that the German people just go through at this point.''
The continuing story of Damiel and Marion, who are now married and still very much in love, is entertaining, the backdrop of a changed Berlin fascinating, and the harder tone a nice contradt to the whimsical poeticism of the first film. Whilst not as engaging and poetic (perhaps due to Handke’s absence?), or as deep or as spiritual as the original, it is still a worthwhile movie. That said, it feels less essential and resonant, and there is some fundamental piece missing from the whole endeavour.

Wenders continues to follow his very unique creative path, working on what topics interest him (commercial or uncommercial), which collaborators inspire him, and wherever he can find finance. He makes feature films, documentaries, music videos, and is currently interested in the possibilities of 3D - his dance documenatary PINA (2011) was shot using the format. His biggest success since WINGS has been his documentary on Cuban musicians, BUENA VISTA SOCIAL CLUB (1999). Interestingly, his least well-received films have been the feature films he has shot in English, THE MILLION DOLLAR HOTEL (2001, a collaboration with U2 singer Bono) being particularly badly reviewed and little-seen.
In WINGS OF DESIRE we have one of the most profoundly emotional and spiritual cinematic experiences a filmgoer will ever have. It not only stuns the viewer with its visual content, but the film sinks deep within the recesses of the psyche and spiritual self and strikes angelic chords that will resonate long after the credits end. It takes the essence of life, distills it, and allows the viewer to absorb and comprehend what makes us human and divine. The film is a life-affirming spiritual journey from darkness into light, and stands out as a spiritual gem of the director's ouevre. Wenders’ love letter to the city of Berlin, it shines brightly with hope, love, and a deep seeded joy for life. Justly acclaimed as one of the greatest foreign or art films, it is actually one of the most moving and beautiful films ever put on film, period.
NB. Marion (Dommartin) is one of many performers in the Circus Alekan. The name of the circus is of course a nod to the film’s cinematographer, Henri Alekan. Dommartin was Wenders' lover for some time and made her debut in WINGS OF DESIRE, learning the acrobatics in a mere eight weeks. She had worked on the editing to TOKYO-GA and later acted in and co-wrote UNTIL THE END OF THE WORLD with him. Sadly, she died from a heart attack in 2007 at the age of 45. Wenders is a co-member on the advisory board of the World Cinema Foundation, founded by Martin Scorsese, which is dedicated to finding and reconstructing world cinema films that have been long neglected. Nick Cave can also be seen in such films as GHOSTS ... OF THE CIVIL DEAD (1989), JOHNNY SUEDE (1991), and THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (2007). Aside from writing various film scores, he also wrote the THE PROPOSITION (2005) and a rejected sequel to GLADIATOR (2000). Bruno Ganz and Otto Sander are close friends in real-life, as they are in the film. This was the final film for Curt Bois in an eighty year career that went as far back as silent films.
AVAILABILITY:The film is widely available on DVD and Bluray. Both the UK and US (Criterion Collection) releases feature a commentary with Wenders and Falk, deleted scenes, a documentary (different) and a booklet. The latter release has slightly better picture quality and more interviews and TV show excerpts.
SOURCES:
'The St. James Film Directors Encyclopedia', edited by Andrew Sarris, Visible Ink Press, 1998.
'2x Handke' by Peter Handke, Collier Books, 1989. ('About the Author' section.)
'Wim Wenders Discusses Painful HAMMETT with Coppola, Friendship with Nicholas Ray' by Edward Davies, The Playlist site, 22nd October 2011.
'Wim Wenders: On Film (Essays and Conversations)', by Wim Wenders, Faber and Faber, 2001.
'Wim Wenders': Wikipedia entry.
'Wings of Desire': liner notes from Criterion DVD release.
'Wings of Desire': Wikipedia entry.
Brent Wills Bechtel resides in Phoenix, Arizona. A movie obsessive and aspiring amateur filmmaker, he studied Film and Cinematography at Scottsdale Community College.
Paul Rowlands is a Japan-based writer. After completing a BA Humanities course (majoring in English and Science) at the University of Chester, he moved to Japan in 1999. Paul writes for the James Bond magazine, Kiss Kiss Bang Bang, and has had an almost lifelong obsession with cinema, something the advent of DVD only increased. An aspiring novelist, short story writer, screenwriter and filmmaker, he has until now mainly wrote for pleasure and on various blogs and so far unpublished projects. He is originally from the UK.
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